Paris

Arc de Triomphe

Though less artistic than its older cousin of Porte Saint-Denis, the Arc de Triomphe de l'Etoile is the more famous and far larger. Set atop the hill of Chaillot it forms the center from which radiates a dozen busy Parisian avenues.

There are in fact several "Arc de Triomphe's" in Paris. A large arch with two thick towers surmounted by a large horizontal section has been a popular architectural feature since the time of Louis XIV (the '14th') in the late 17th century.

But the one located at the intersection of the Champs-ElysÈes and the Avenue de la Grande ArmÈe (along with 10 other streets) is the one sought out by most visitors.

Versailles

As you approach the gates of Versailles you inescapably have the feeling of entering not a palace but an entire city. The impression is justified given the massive scale of the building and the even larger grounds.

Beginning as a modest ch‚teau of stone and slate to serve as a hunting lodge for Louis XIII (13th), Versailles blossomed - figuratively and literally - during the reign of his son. By 1682, after 20 years of work, the 'Sun King' took up residence... and then building really began.

The Seine River

Whether seen by a long, leisurely walk or from one of the many excellent tour boats, the view along the Seine in Paris is a delight.

The river flows nearly 800km (480mi) from Dijon through Paris and into the English Channel. But even the short section through the city provides enough sights to satisfy the most discerning traveler.

La Tour Eiffel can be seen changing shades from cocoa to gold as dusk fades to dark. The lights along its four pillars melding into the spire are only one of the many sights not to be missed.

Joining the left and right banks (the 'rive gauche' and the 'rive droit') along this ancient river are bridges themselves no stranger to time.

The Louvre

Unquestionably the most famous name in the world of art museums, The Louvre largely deserves its renown. Enormous and filled with irreplaceable treasures from around the world, this premier series of exhibits offers something for everyone.

The building itself is something of an historical and art adventure. The construction of the original structures began as long ago as the 13th century, though the present museum has its origins in efforts of three hundred years later. The existing Ch‚teau du Louvre, which forms a large portion of the floorspace, was begun in 1546.

The Eiffel Tower

Originally intended as a structure to commemorate the French Revolution, who could've guessed that 100 years later The Eiffel Tower would become the symbol of Paris itself?

But, judging by the six million annual visitors and the millions of photographs, that's what it has become. To date the tower has received over 200 million visitors since its completion in 1889.

For two years, three hundred workers joined over 18,000 pieces of structural iron to form the tower's three distinct levels. Those levels currently house over 1,500 steps. The number has varied over the years with different renovations. But the visitor can be grateful not to have to climb the 300 meter (984 ft) tower, thanks to the many elevators. The uppermost portion supports a 24m (79ft) spire.

SacrÈ Coeur

The site of SacrÈ Coeur has long been an attraction for religious figures and groups. Though dedicated to peace and brotherhood, the building owes its birth on the site to the misfortunes of war and violence.

In the 3rd century, the first bishop of Paris, St Denys, was beheaded here. A Benedictine Abbey occupied the entire hill until rioters of the French Revolution burned it down.

During the Prussian War of 1870, the two Catholic businessmen who initiated the SacrÈ Coeur project wanted to build an offering should France survive the conflict.

Notre Dame

Second only to the Eiffel Tower as the recognized symbol of France, the CathÈdrale Notre Dame is both a tourist destination and a working church.

Built between 1163AD and 1345AD the Gothic masterpiece remains today one of the world's great structures. The enormous interior can seat 6,000 at the base. But, for many, the major attraction is the 387-step climb to the top of the famous towers.

Once reached via that winding, narrow passageway the visitor enters a large area dominated by a huge church bell and spectacular sights. From here it's easy to imagine the fictional Quasimodo (the Hunchback of Notre Dame) ringing the 13-ton bell and clambering on the gargoyles around the perimeter.

Montmartre

Montmartre is a fascinating mixture of old and new, seedy and sacred, bizarre and blasÈ. Within this section of Paris, technically the 18th arrondissement, there is everything from Moulin Rouge and MusÈe d'Erotisme to the SacrÈ Coeur Basilica. There are several art shops, a Dali museum and even a winery.

(Note: An 'arrondissement' is a district, laid out around Paris clockwise, with the 1st at the center of the clock face.)

There are steep hills in parts, so be prepared for a hike, particularly up to the Basilica. But there are cobblestoned streets, too, with antique shops and 'bistros'.

Maison de Victor Hugo

'Maison' is French for 'house'. In this case the word is slightly misleading. While no palace, though sited in the Place des Vosges - originally known as Place Royale - the site is no simple domicile. These sprawling apartments were the home of the famed writer between 1832 and 1848. Hugo fled from the revolution in that year.

Hugo was the author of such well-known (if less widely read) works such as Les MisÈrables and The Hunchback of Notre Dame. He also penned lesser known, but far superior works, such as Ninety-Three and The Man Who Laughs.

A treat even for those with only a passing interest in literature, the Victor Hugo museum is chock full of drawings, mementos, 19th century furniture and more. The Chinese salon from Hugo's house on Guernsey has been relocated here, as well.

La Ville LumiËre

Translated from the French, the title means 'City of Lights'. By now a commonplace description, there's nothing commonplace about the place. Paris, for those who love... well, anything, is stellar.

With over 2 million inhabitants, 11 million in the Ile-de-France region overall, Paris is a metropolis second to none. A center of world culture for centuries, it hosts the most up-to-date museums alongside its ancient sites and sights.

Despite the enormous population and the ever present cars, there are nonetheless numerous oases scattered around the city. Even today, parts of the Seine can offer a quiet walk down the banks of one of Europe's most famous rivers. Here the many bridges are both artistic and functional, in true Gallic style.

Disneyland Paris

Affectionately known as DLP by Mouseketeers the world over, Disneyland Paris is a cornucopia of rides, restaurants, exhibits and all out fun for everyone. And in the last few years the fun has been doubled as Disney added the Walt Disney Studios park to an already jam packed adventure.

Many of the traditional rides from the California theme park were recreated (with some French twists) at the park and resort only 32 kilometers (19 miles) outside Paris.

There's the familiar Pirates of the Caribbean, on which the recent films were based and the love-it-or-hate-it It's A Small World ride, along with dozens more. The Legend of the Lion King show regularly sells out, so get tickets in advance.

Champs-Elysee

Not merely a boulevard, the Champs-ElysÈes has justly earned its name. In Greek mythology, the Elysian Fields was the resting place of heroes who dwelt in perfect happiness. Fortunately, visitors don't have to die to reach it. Though you may think so after making your way through the French airports and into Paris.

This tree-lined avenue begins at the Arc de Triomphe and ends 2km (1.2mi) east at the Egyptian Obelisk, through the 8th arrondissement. An 'arrondissement' is a district. Paris is divided into twenty with the first at the center and the others winding clockwise around it.

Pompidou Center

pampidou
Known to Parisians simply as Beaubourg (after the neighborhood), The Centre National d'Art et de Culture Georges-Pompidou is a museum of modern art rivaling the best in New York or London.

By design, so to speak, the architecture of the 1977 building is in sharp contrast to the traditional surrounding houses of Paris' oldest district.

Looking like a cross between a hyper-modern factory joined to a low-rise office building, it accurately reflects its contents. The red, blue and green pipes on the rear are only one example of the tradition busting goals of its makers.

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